Die Begrabung 1450Distemper on
flax canvas,
90,2 x 74,3 cm
National Gallery,
London 1450 Krankheit auf Flachsleinwand, 90.2 X74.3 cm Nationaler Galerie, London 1420-1475
Flemish
Dieric Bouts Locations
DieBegrabung mk91
ca.1523
Oil on canvas
transferred from a panel
32x26.5
das Öl von mk91 ca. 1523 auf Leinwand hat von einem Unterausschuss 32x26. 5 übertragen Italian Mannerist Painter, 1503-1540
Gemälde ID:: 56044
the entombment mk247
1602 to 04 ,oil on canvas,118x80 in,300x203 cm,pinacteca vaticana,vatican city,ltaly Italian Baroque Era Painter, ca.1571-1610
Gemälde ID:: 62299
The Entombment 1670-73 Painted and gilt wood Hospital de la Caridad, Seville The Brotherhood of Charity, the Caridad, as it is known, was one of Seville's major lay confraternities. It was founded in 1565 with the mission of providing a decent burial for paupers. From 1663 the charitable activities were expanded to provide care for the needy sick, and a hospital was built, simultaneously enlarging and renovating the already existing chapel. The scheme for the decoration of the chapel is a tripartite exposition of Christian charity as the way of salvation. The first part comprises two memorable paintings by Vald?s Leal, demonstrating the futility of earthly pursuits and honours. A life devoted to accumulating wealth, power, and even learning is shown to lead only to the grave. Charity, which constitutes the second part of the program, provides the way to salvation, as seen in the seven acts of mercy, six of which are depicted by Murillo; the seventh, burying the dead, the Caridad's foundation charity, is embodied in a sculptural group, the Entombment of Christ by Pedro Rold?n, placed in the altarpiece. The third component consists of two paintings by Murillo for lateral altars, depicting St Elizabeth of Hungary and St John of God, both illustrating the efficacy of good works and the necessity of personal participation in charitable deeds. The picture shows a detail of Rold?n's Entombment group. In seventeenth-century Spain the economic crisis had the effect of intensifying religion and bringing it closer to the people. Spanish sculpture of this period, nearly always in brightly coloured wood, treated the various figures of the Passion singly, in isolation, with the devoutness of a miracle play, thus bringing about an unexpected return to the cultural atmosphere of the Middle Ages. Rold?n's sculptural group is an example of this style
Gemälde ID:: 62391
The Entombment 1602-03 Oil on canvas, width of detail: 30 cm Pinacoteca, Vatican The detail shows the head of Mary Italian Baroque Era Painter, ca.1571-1610
Gemälde ID:: 86948
The Entombment Date between 1611(1611) and 1612(1612)
Medium Oil on wood
Dimensions Height: 88 cm (34.6 in). Width: 66 cm (26 in).
cjr Flemish Baroque Era Painter, 1577-1640
Gemälde ID:: 91667
The Entombment between 1611(1611) and 1612(1612)
Medium oil on panel
Dimensions Height: 88 cm (34.6 in). Width: 66 cm (26 in).
cyf Flemish Baroque Era Painter, 1577-1640
Gemälde ID:: 92742
The Entombment between 1523(1523) and 1526(1526)
Medium oil on canvas
Dimensions Height: 148 cm (58.3 in). Width: 205 cm (80.7 in).
cjr
